If you thought Ashish Chanchlani was only about family dramas and relatable exam struggles, his latest venture, Ekaki, is here to give you a reality check—and perhaps a few nightmares. Released in late 2024 and continuing its momentum into 2025, this isn’t just another sketch. It is a full-blown cinematic experience that marks Ashish’s ambitious transition from a digital creator to a serious filmmaker. For a man who has spent a decade making millions laugh, taking a detour into the dark, damp corridors of a haunted villa is a bold move that has paid off in spades.
The Plot: More Than Just a Haunted House
The story of the Ekaki web series kicks off with a classic premise: seven friends, a weekend getaway, and a mysterious, isolated bungalow in a remote Maharashtra village known as Ekaki Villa. While the setup sounds like your typical “don’t go into the basement” horror flick, Ashish infuses it with his signature wit. The chemistry between the core Ashish Chanchlani Ekaki cast—featuring fan favorites like Akash Dodeja, Sidhant Sarfare, and Harsh Rane—keeps the vibe grounded and authentic.
However, just as you get comfortable with the jump scares and the eerie atmosphere, the series throws a massive curveball. Without spoiling the fun, let’s just say that what starts as a supernatural thriller quickly evolves. By the second episode, the narrative takes a sharp turn into the world of science fiction, introducing elements that have left netizens stunned. It is this genre-bending “horror-meets-sci-fi” approach that has even caught the eye of legendary filmmaker SS Rajamouli, who took to social media to praise the series for its “clever twist.”
A Passion Project Born from Grit
What makes Ekaki stand out in the crowded space of YouTube web series is its production value. This was no overnight project; Ashish spent nearly 14 months in total, including 80 grueling days of shooting and extensive post-production, to ensure the VFX and sound design were top-tier. Operating under his banner, ACV Studios, Ashish donned multiple hats—writer, director, producer, and actor—proving that he isn’t afraid to put his skin in the game.
The series effectively captures the “brainrot” humor the internet loves while delivering genuine tension. It’s a “quiet revolution” on Indian YouTube, offering high-quality long-format storytelling for free. Whether you are a die-hard member of the ACV army or a casual viewer looking for a fresh Indian horror comedy series, Ekaki offers a rollercoaster of emotions that proves Ashish Chanchlani is no longer just a “YouTuber”—he is a storyteller with a vision.
In a digital landscape filled with repetitive content, Ekaki feels like a breath of fresh air (albeit one that smells slightly of paranormal mystery). It’s a testament to how far Indian digital creators have come. Ashish Chanchlani has successfully bridged the gap between a five-minute gag and a complex narrative, proving that he can handle shadows just as well as he handles spotlights. If you haven’t checked into Ekaki Villa yet, you’re missing out on the most talked-about digital event of the year.
FAQs
Where can I watch the Ekaki web series?
You can watch Ekaki exclusively on Ashish Chanchlani’s official YouTube channel, ACV Studios, for free.
Is Ekaki a horror or a comedy?
It is a unique blend of horror-comedy and science fiction. While it starts with supernatural elements, it features a major sci-fi twist that changes the direction of the story.
Who is in the cast of Ekaki?
The series stars Ashish Chanchlani along with his regular collaborators: Akash Dodeja, Sidhant Sarfare, Harsh Rane, Rohit Sadhwani, Grishim Nawani, and Shashank Shekhar.
How many episodes does Ekaki have?
The series is being released in chapters. Currently, the first two chapters, including “Presence,” are available, with more expected to follow the overarching mystery.
Is the series available in languages other than Hindi?
Yes, reflecting its massive scale, the series has been released with dubs or subtitles in several Indian languages, including Tamil, Telugu, Kannada, and Malayalam.
